windows

<a href="http://www.hypersmash.com">Hyper Smash</a>

bodyrockers - i like the way you move

( in fact, i wanted to post a totally different song, but as i heared this one was kate&williams favourite, i just decided to post it, whatever.. )

a bug's life

dave brubeck - take five



bridges

( "a bridge is a structure built to span physical obstacles such as a body of water, valley, or road, for the purpose of providing passage over the obstacle. designs of bridges vary depending on the function of the bridge, the nature of the terrain where the bridge is constructed, the material used to make it and the funds available to build it." ..there's really nothing better than wikipedia.org )

zaz - les passants

( a great french singer, i actually don't know that much about her, but i really like her songs )

rooftops

        

band of skulls - patterns



..it's also known from gran turismo 5 (and the new swatch commercial, i guess)

eastertime

foo fighters - rope

( one of my favorite songs at the moment, i really have to buy the new album finally )

to do:

all i can say is "i won't do it again"

ugly, isn't it?

roxy music - mother of pearl

( yes, i heared this song the first time on how i met your mother.. )

mannheim.

                               

     

     

 

( just some pictures i took on an "architecture walk" in my hometown, mannheim, with the people from a school project on esthetics )

yoko ono - cut piece

                    

( yoko ono was an explorer of performance art of which one example is "cut piece", first performed in 1964 at the sogetsu art center in tokyo. cut piece had one destructive verb as its instruction: "cut." ono executed the performance in tokyo by walking on stage and casually kneeling on the floor. audience members were requested to come on stage and begin cutting until she was naked. cut piece was one of ono’s many opportunities to outwardly communicate her internal suffering through her art. ono had originally been exposed to jean-paul sartre's theories of existentialism in college, and in order to appease her own human suffering, ono enlisted her viewers to complete her works of art in order to complete her identity as well. besides a commentary on identity, cut piece was a commentary on the need for social unity and love. it was also a piece that touched on issues of gender and sexism as well as the greater, universal affliction of human suffering and loneliness. ono performed this piece again in london and other venues, garnering drastically different attention depending on the audience. in japan, the audience was shy and cautious. in london, the audience participators became zealous to get a piece of her clothing and became violent to the point where she had to be protected by security. )

marketplaces in israel